Las mejores ofertas para CENDRARS Aujourd'hui EDITION ORIGINALE Service de presse ENVOI AUTOGRAPHE 1931 están en eBay Compara precios y características de productos nuevos y usados Muchos artículos con envío gratis! Va viatjar a molts països i va perdre el braç dret lluitant en la Primera … There he collaborated frequently with Radiodiffusion Française. ¿Desea reproducir alguna biografía en su web. He became acquainted with the international array of artists and writers in Paris, such as Chagall, Léger, Survage, Suter, Modigliani, Csaky, Archipenko, Jean Hugo and Robert Delaunay. Cendrars' style was based on photographic impressions, cinematic effects of montage and rapid changes of imagery, and scenes of great emotional force, often with the power of a hallucination. John Dos Passos, in his celebratory essay on Cendrars, "Homer of the Trans-Siberian. In Occupied France, the Gestapo listed Cendrars as a Jewish writer of "French expression", but he managed to survive. University of California, Los Angeles: referencedIn Blaise Cendrars, ca. Dos viajes sucesivos por Brasil le inspiraron sus siguientes novelas, auténticas epopeyas del aventurero moderno: Feuilles de route, El oro (L'Or, 1925) y Moravagine (Moravagine, 1926), que fue un gran éxito. With Emil Szittya, an anarchist writer, he started the journal Les hommes nouveaux, also the name of the press where he published Les Pâques à New York and Séquences. Details of his time with the BEF and last meeting with his son appear in his work of 1949 Le lotissement du ciel (translated simply as Sky). 1961, Cendrars was awarded the Paris Grand Prix for literature. Por Blaise Cendrars Traducido por Tamym Maulén. . Supposedly fourteen copies were made, but Cendrars claimed to have no copies of it, and none could be located during his lifetime. Omaggio a Blaise Cendrars, Rome, Letteratura (textes réunis par Guy Tosi), n° 52, juillet-août 1961; Blaise Cendrars 1887-1961, Mercure de France, n° 1185, mai 1962; Blaise Cendrars (dir. Recuperado de Most notably, he encountered Guillaume Apollinaire. It was during the attacks in Champagne in September 1915 that Cendrars lost his right arm and was discharged from the army. The two poets influenced each other's work. Par un tour prophétique exceptionnel chez Cendrars, Aujourd'hui (1931) tient tout ensemble de la profession de foi, de l'art poétique et d'une proclamation à la face du monde entier. Antes de la Primera Guerra Mundial publicó sus poemas Le Panama ou les aventures de mes sept oncles, además del libro compartido con el pintor Robert Delaunay (libro "simultáneo") titulado La prose du Transsibérien et de la petite Jeanne de France (1913), con el que introdujo el surrealismo en la literatura y empezó a forjarse un nombre en los círculos literarios parisinos. In 1918, his friend Amedeo Modigliani painted his portrait. At this time, he drove an old Alfa Romeo which had been colour-coordinated by Georges Braque. La característica más notable de este extravagante autor fue su gran afición por los viajes, que le sobrevino a la temprana edad de nueve años, debido a las visitas que sus progenitores (su padre era suizo y su madre escocesa) realizaron con él a Egipto e Italia. He joined the French Foreign Legion. The name "Blaise" is an exact echo of the English "blaze," and "Cendrars" is a compound of the French word for cinders and the Latin "ars" for art. He died in 1961. Señor, hoy es el día de tu Nombre, Leí en un viejo libro la gesta de tu Pasión, Y tu angustia y tus esfuerzos y tus buenas palabras. Su poesía, permanente elogio de la vida de acción, es, precisamente, un intento de inmortalizar ésta en versos, mediante el uso de recursos estilísticos innovadores, tales como una mezcla vertiginosa de imágenes, sentimientos y sorprendentes asociaciones. Cendrars liked to claim that his poem's first printing of one hundred fifty copies would, when unfolded, reach the height of the Eiffel Tower.[9]. Dans ce manifeste éclaté, le poète célèbre les merveilles de la modernité dans tous les domaines, sans jamais séparer l'art de la vie contemporaine. [2] They sent young Frédéric to a German boarding school, but he ran away. - French Culture", https://hyperallergic.com/382414/blaise-cendrars-a-poet-for-the-twenty-first-century/, Publications by and about Blaise Cendrars, "Blaise Cendrars, The Art of Fiction No. The novel, Emmène-moi au bout du monde !…, was his last work before he suffered a stroke in 1957. Couverture grise imprimé en rouge et noir. Claude Leroy), Europe, n° 566, juin 1976. Blaise Cendrars - 11/11/20. While living in St. Petersburg, he began to write, thanks to the encouragement of R.R., a librarian at the National Library of Russia. Around 1918 he visited her house and was so taken with the simplicity of the décor that he was inspired to write the poems published as De Outremer à indigo (From ultramarine to indigo). Grasset, Paris, 1931 1 volume in-18 (19 x 12 cm), broché de 250 pages. Blaise CENDRARS AUJOURD'HUI. At the Realschule in Basel in 1902 he met his lifelong friend the sculptor August Suter. Cendrars aujourd-hui : presence d'un romancier.. [Michel Décaudin] Tout autour d'aujourd'hui, XII : Le lotissement du ciel/La banlieue de Paris: Amazon.es: Cendrars,Blaise, Leroy,Claude: Libros en idiomas extranjeros Se despierta. Présence d'un romancier (textes réunis par Michel Décaudin). Dessin de la main gauche de l'auteur par Conrad Moricand reproduit en frontispice. [14] He was also befriended by John Dos Passos, who was his closest American counterpart both as a world traveler (even more than Hemingway) and in his adaptation of Cendrars' cinematic uses of montage in writing, most notably in his great trilogy of the 1930s, U.S.A. One of the most gifted observers of the times, Dos Passos brought Cendrars to American readers in the 1920s and 30s by translating Cendrars' major long poems The Transsiberian and Panama and in his 1926 prose-poetic essay "Homer of the Transsiberian," which was reprinted from The Saturday Review one year later in Orient Express.[15]. Finally, in 1904, he left school due to poor performance and began an apprenticeship with a Swiss watchmaker in Russia. Frédéric Louis Sauser, better known as Blaise Cendrars, was a Swiss novelist and poet naturalized French in 1916. Blaise Cendrars (1. září 1887 – 21. ledna 1961), vlastním jménem Frédéric Louis Sauser, byl švýcarský spisovatel a básník usazený ve Francii.Byl silně ovlivněn modernismem.. Život. [11], Cendrars became an important part of the artistic community in Montparnasse; his writings were considered a literary epic of the modern adventurer. Blaise Cendrars (La Chaux-de-Fonds, cantón de Neuchâtel, Suiza, 1 de septiembre de 1887 - París, 21 de enero de 1961), cuyo nombre real era Frédéric-Louis Sauser, … Papier ordinaire jauni. Siguieron Cuentos negros para los niños de los blancos (Petits contes nègres pour les enfants des blancs, 1928), Le Plan de l'Aiguille (1929), Les Confessions de Dan Yak (1929), Ron (Rhum, 1930) y Comment les Blancs sont d'anciens Noirs. These qualities, which also inform his prose, are already evident in Easter in New York and in his best known and even longer poem The Transsiberian, with its scenes of revolution and the Far East in flames in the Russo-Japanese war ("The earth stretches elongated and snaps back like an accordion / tortured by a sadic hand / In the rips in the sky insane locomotives / Take flight / In the gaps / Whirling wheels mouths voices / And the dogs of disaster howling at our heels"). In 1954, a collaboration between Cendrars and Léger resulted in Paris, ma ville (Paris, my city), in which the poet and illustrator together expressed their love of the French capital. Blaise Cendrars Sauser-Hallpoeta Escritor francés Nació el 1 de septiembre de 1887 en La Chaux-de-Fonds. He was a writer of considerable influence in the European modernist movement. He comments on the trampling of his library and temporary "extinction of my personality" at the beginning of L'homme foudroyé (in the double sense of "the man who was blown away"). Cendrars was the first exponent of Modernism in European poetry with his works: The Legend of Novgorode (1907), Les Pâques à New York (1912), La Prose du Transsibérien et la Petite Jehanne de France (1913), Séquences (1913), La Guerre au Luxembourg (1916), Le Panama ou les aventures de mes sept oncles (1918), J'ai tué (1918), and Dix-neuf poèmes élastiques (1919). Cada una de estas experiencias se reflejó en sendas novelas: Panorama de la pègre (1935), La Vie dangereuse (1936) y D'Outremer à Indigo (1939), respectivamente. ." Un viejo monje me contó de tu muerte. [10], This intertwining of poetry and painting was related to Robert Delaunay's and other artists' experiments in proto-expressionism. window.onload=function comocitar() {citapers();citaurl();} Realizó viajes por Europa, Rusia y Asia, trabajando en diversos oficios. "[6], After a short stay in Paris, he traveled to New York, arriving on 11 December 1911. Biblioteca Nacional de España, Biblioteca Nacional - Madrid: referencedIn: Angulo, Jaime de. De regreso a su país natal, cursó estudios de filosofía y medicina en Berna (1908-1909). De repente, está pintando. function citapers() { var x = document.getElementsByTagName("title"); document.getElementById("perscita").innerHTML = x[0].innerHTML;} He signed it for the first time with the name Blaise Cendrars.[7]. La enciclopedia biográfica en línea. There he wrote the poem, "La Légende de Novgorode", which R.R. La publicación de Chez l'Armée anglaise (1940) le obligó a retirarse a Aix-en-Provence en el momento de la ocupación nazi de Francia. Egile-eskubideen jabeak, Eusko Jaurlaritzak , hiztegi horiek CC-BY 3.0 lizentziarekin argitaratu … In 1950, Cendrars settled down in the rue Jean-Dolent in Paris, across from the La Santé Prison. He was born in La Chaux-de-Fonds, Neuchâtel, Switzerland, rue de la Paix 27,[1] into a bourgeois francophone family, to a Swiss father and a Scottish mother. [8] The published work was printed within washes of color by the painter Sonia Delaunay-Terk as a fold-out two meters in length, together with her design of brilliant colors down the left-hand side, a small map of the Transsiberian railway in the upper right corner, and a painted silhouette in orange of the Eiffel Tower in the lower left. La collection " Tout autour d'aujourd'hui " réunit, en quinze volumes, les uvres complètes de Blaise Cendrars (1887-1961) dont elle propose la première édition moderne, avec des textes établis d'après des sources sûres (manuscrits et documents), accompagnés de préfaces et suivis d'un dossier critique comprenant des notices d' uvres, des notes et une bibliographie propre à chaque volume. He finally published again in 1956. Like Rimbaud, who writes in "The Alchemy of the Word" in A Season in Hell, "I liked absurd paintings over door panels, stage sets, backdrops for acrobats, signs, popular engravings, old-fashioned literature, church Latin, erotic books full of misspellings," Cendrars similarly says of himself in Der Sturm (1913), "I like legends, dialects, mistakes of language, detective novels, the flesh of girls, the sun, the Eiffel Tower. Frédéric-Louis Sauser (1 September 1887 – 21 January 1961), better known as Blaise Cendrars, was a Swiss-born novelist and poet who became a naturalized French citizen in 1916. [16] Cendrars' departure from poetry in the 1920s roughly coincided with his break from the world of the French intellectuals, summed up in his Farewell to Painters (1926) and the last section of L'homme foudroyé (1944), after which he began to make numerous trips to South America ("while others were going to Moscow", as he writes in that chapter). Correspondant de guerre dans l'armée anglaise en 1939, il quitte Paris après la débâcle et s'installe à Aix-en-Provencea. En 1961, poco antes de morir, recibió el Grand Prix Littéraire de la Ville de Paris. Tras un período de reposo en Biarritz (1931-1933), donde escribió Aujourd'hui (1931), libro de ensayos, junto al famoso Elogio de la vida peligrosa y Vol à voile (1933), se lanzó de nuevo a la vida aventurera, como reportero para varios periódicos, lo cual le llevó a recorrer América del Norte y Central, a cubrir la Guerra Civil Española y a informar de la Segunda Guerra Mundial desde las filas británicas. It was during this second half of his career that he began to concentrate on novels, short stories, and, near the end and just after World War II, on his magnificent poetic-autobiographical tetralogy, beginning with L'homme foudroyé. Ron Cendrars, Blaise. [9] Soon after, it was exhibited as a work of art in its own right and continues to be shown at exhibitions to this day. International Encyclopedia of the First World War, https://en.wikipedia.org/w/index.php?title=Blaise_Cendrars&oldid=980252205, Short description is different from Wikidata, Articles with French-language sources (fr), Wikipedia articles with CANTIC identifiers, Wikipedia articles with Léonore identifiers, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SIKART identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. Voici le troisième élément du diaporama (cliquez ici pour atteindre ce diaporama) du «Magazine Littéraire» dont je vous ai parlé là.. Il s'agit de Blaise Cendrars et de son chat siamois. Tout autour d'aujourd'hui, I : Poésies complètes: Amazon.es: Cendrars,Blaise, Leroy,Claude: Libros en idiomas extranjeros Après trois années de silence, il commence en 1943 à écrire ses Mémoires : L'Homme foudroyé (1945), La Main coupée (1946), Bourlinguer (1948) et Le Lotissement du ciel (1949). Profond Aujourd'hui (1917) Le Panama ou les aventures de mes sept oncles (1918) Dix-neuf poèmes élastiques (1919) La Fin du monde filmée par l'Ange Notre-Dame (1919) ... Blaise Cendrars. Jean Cocteau introduced him to Eugenia Errázuriz, who proved a supportive, if at times possessive, patron. Cendrars continued to be active in the Paris artistic community, encouraging younger artists and writing about them. Pâques, Cendrars, poésie et siamois . He was drawn to this same immersion in Balzac's flood of novels on 19th-century French society and in Casanova's travels and adventures through 18th-century Europe, which he set down in dozens of volumes of memoirs that Cendrars considered "the true Encyclopedia of the eighteenth century, filled with life as they are, unlike Diderot's, and the work of a single man, who was neither an ideologue nor a theoretician". Some were tributes to his fellow artists. Palabra Voyeur online, completo y gratis en RTVE.es A la Carta. His father, an inventor-businessman, was Swiss, his mother Scottish. Blaise Cendrars (real name Frédéric Sauser) was born in La Chaux-de-Fonds, Switzerland, in 1887. Durante esta época (momento en el que se nacionalizó francés), sus inquietudes se diversificaron notablemente, abarcando desde el cine (fue guionista) hasta la música: escribió, junto a Darius Milhaud y Fernand Léger, el ballet La Création du monde (1923). Que lloran en el libro, dulcemente monótonas. var f=new Date();document.write(f.getDate() + " de " + meses[f.getMonth()] + " de " + f.getFullYear());. Cendrars' relationship with painters such as Chagall and Léger led him to write a series of revolutionary abstract short poems, published in a collection in 1919 under the title Dix-neuf poèmes élastiques (Nineteen elastic poems). 1907, photograph by August Monbaron. ‘Retrato’, de Blaise Cendrars (1887 – 1961) 29 de abril de 2010. Cendrars' poem Les Pâques à New York influenced Apollinaire's poem Zone. Frédéric-Louis Sauser (La Chaux-de-Fonds, Neuchâtel, 1 de setembre de 1887 — París, 21 de gener de 1961) fou un escriptor suís en llengua francesa, conegut amb el nom de Blaise Cendrars. Next they enrolled him in a school in Neuchâtel, but he had little enthusiasm for his studies. In many ways, he was a direct heir of Rimbaud, a visionary rather than what the French call un homme de lettres ("a man of letters"), a term that for him was predicated on a separation of intellect and life. He described this war experience in the books La Main coupée (The severed hand) and J'ai tué (I have killed), and it is the subject of his poem "Orion" in Travel Notes: "It is my star / It is in the shape of a hand / It is my hand gone up to the sky . Between 6–8 April 1912, he wrote his long poem, Les Pâques à New York (Easter in New York), his first important contribution to modern literature. el var meses = new Array ("enero","febrero","marzo","abril","mayo","junio","julio","agosto","septiembre","octubre","noviembre","diciembre"); When it began, he and the Italian writer Ricciotto Canudo appealed to other foreign artists to join the French army. As Léger died in 1955, the book was not published until 1987. Vuelve de nuevo a París durante el verano 1912, convencido de su vocación poética. Frédéric-Louis Sauser (1 September 1887 – 21 January 1961), better known as Blaise Cendrars, was a Swiss-born novelist and poet who became a naturalized French citizen in 1916. En Biografías y Vidas. At the same time Gertrude Stein was beginning to write prose in the manner of Pablo Picasso's paintings. Blaise Cendrars (conference of the centenary to the CCI of Cerisy-the-Room), Southern , 1988. 38", Centre d'Études Blaise Cendrars (CEBC) de l'université de Berne (Switzerland), (Centre des Sciences de la Littérature Française (CSLF) de l'université Paris X-Nanterre, Association internationale Blaise Cendrars, Blaise Cendrars, Anthologie Nègre, 1921, Editions de la Sirene, Paris, original French edition, 1914-1918-online. (Seudónimo de Frédéric Sauser Hall; La Chaux-de-Fonds, 1887 - París, 1961) Escritor francés. De padre suizo y madre escocesa, obtuvo la nacionalidad francesa al finalizar la I Guerra Mundial. He was the first modernist poet, not only in terms of expressing the fundamental values of Modernism but also in terms of creating its first solid poetical synthesis, although this achievement did not grow out of a literary project or any theoretical considerations but from Cendrars' instinctive attraction to all that was new in the age and equally alive for him in literature of the past. After the war, Cendrars became involved in the movie industry in Italy, France, and the United States. Nouvelle édition 1995; Cendrars aujourd'hui. A continuación, Blaise Cendrars reanudó sus viajes por Europa y Estados Unidos, donde ejerció los oficios más diversos y escribió sus primeras obras: La légende de l'or gris et du silence (1912), Hic Haec Hoc, Pascuas en Nueva York (Les Pâques à New York, 1912) y Séquences (1913), mayormente inspiradas en sus experiencias viajeras. translated into Russian. 1890-1982. Frédéric-Louis Sauser (1 de septiembre de 1887 - 21 de enero de 1961), más conocido como Blaise Cendrars, fue un novelista y poeta nacido en Suiza que se convirtió en ciudadano francés naturalizado en 1916. Blaise Cendrars (La Chaux-de-Fonds, cantón de Neuchâtel, Suiza, 1 de septiembre de 1887 - París, 21 de enero de 1961), cuyo nombre real era Frédéric-Louis Sauser, … Facebook Twitter WhatsApp Correo Está durmiendo. Tout autour d'aujourd'hui, VII : Moravagine/Fin du monde filmée par l'Ange Notre-Dame: Amazon.es: Cendrars,Blaise, Flückiger,Jean-Carlo: Libros en idiomas extranjeros Fue un adolescente problemático y un mal estudiante, lo cual le valió ser internado en un estricto colegio alemán, al que tampoco se adaptó. "[4], Spontaneity, boundless curiosity, a craving for travel, and immersion in actualities were his hallmarks both in life and art. A los quince años realizó un largo viaje por Asia en compañía de un comerciante en piedras preciosas. Tras un período de reposo en Biarritz (1931-1933), donde escribió el libro de ensayos Aujourd'hui (1931), junto al famoso Elogio de la vida peligrosa y Vol à voile (1933), Blaise Cendrars se lanzó de nuevo a la vida aventurera, como reportero para varios periódicos, lo cual le llevó a recorrer América del Norte y Central, a cubrir la guerra civil española y a informar de la Segunda Guerra Mundial desde las filas británicas. His writing career was interrupted by World War I. Carta de Blaise Cendrars a Guillermo de Torre, 1921 [Manuscrito]. During this period, he wrote his first verified poems, Séquences, influenced by Remy de Gourmont's Le Latin mystique. It is Cendrars' emblem of the act of creation in writing: Trans. See "'French Book Art' at the Public Library," Roberta Smith. His full name is thus the metaphorical equivalent of the mythical Phoenix, or Firebird, with its power to rise from its own ashes. Cómo citar este artículo:Ruiza, M., Fernández, T. y Tamaro, E. (2004). In 1995, the Bulgarian poet Kiril Kadiiski claimed to have found one of the Russian translations in Sofia, but the authenticity of the document remains contested on the grounds of factual, typographic, orthographic, and stylistic analysis.[3]. He was sent to the front line in the Somme where from mid-December 1914 until February 1915, he was in the line at Frise (La Grenouillère and Bois de la Vache). Blaise Cendrars, pseudonym of Frédéric Sauser, (born Sept. 1, 1887, La Chaux-de-Fonds, Switz.—died Jan. 21, 1961, Paris, Fr. badira fitxategi gehiago, gai hau dutenak: Blaise Cendrars Artikulu honen edukiaren zati bat Lur hiztegi entziklopediko tik edo Lur entziklopedia tematiko tik txertatu zen 2011/12/27 egunean. En 1950, el autor regresó a París, donde publicó sus últimas obras: A barlovento, Le Brésil, des hommes sont venus (1952), Noëls aux quatre coins du monde (1953), Emmène-moi au bout du monde (1956), Trop c'est trop (1957), À l'aventure (1958) y Films sans images (1959). Barcelona (España). In 1907, Sauser returned to Switzerland, where he studied medicine at the University of Berne. Palabra Voyeur - Hojas de ruta I. El Formose. Con un estilo muy fluido y un lenguaje muy cercano al periodístico, Cendrars nos cuenta la vida de un hombre extraordinario: el escritor y aventurero Jean Galmot que, después de amasar una enorme fortuna en la Guayana, llega a conocer la prisión y la ruina. In the summer of 1912, Cendrars returned to Paris, convinced that poetry was his vocation. He was a friend of the American writer Henry Miller,[12] who called him his "great idol", a man he "really venerated as a writer". Cendrars called the work the first "simultaneous poem". He was a writer of considerable influence in the modernist movement. The Centre d'Études Blaise Cendrars (CEBC) has been established at the University of Berne in his honor and for the study of his work. L'Or la merveilleuse histoire du général Johann August Suter de Cendrars, Blaise y una gran selección de libros, arte y artículos de colección disponible en Iberlibro.com. function citaurl() { var x = location.href; document.getElementById("urlcita").innerHTML = x;} He was acquainted with Ernest Hemingway, who mentions having seen him "with his broken boxer's nose and his pinned-up empty sleeve, rolling a cigarette with his one good hand", at the Closerie des Lilas in Paris. His father, an inventor-businessman, was Swiss, his mother Scottish. Mention de 8e édition sur la couverture. A partir de ese momento su actividad literaria fue muy intensa. Tras un período de reposo en Biarritz (1931-1933), donde escribió el libro de ensayos Aujourd'hui (1931), junto al famoso Elogio de la vida peligrosa y Vol à voile (1933), Blaise Cendrars se lanzó de nuevo a la vida aventurera, como reportero para varios periódicos, lo cual le llevó a recorrer América del Norte y Central, a cubrir la guerra civil española y a informar de la Segunda Guerra Mundial desde las filas … Blaise Cendrars (Seudónimo de Frédéric Sauser Hall; La Chaux-de-Fonds, 1887 – París, 1961) Escritor francés. He stayed with Eugenia in her house in Biarritz, in a room decorated with murals by Picasso. His ashes are held at Le Tremblay-sur-Mauldre. Con apenas diecisiete años marchó a Rusia, donde consiguió un notable dominio del idioma sin cesar de viajar a lo largo y ancho del país. La característica más notable de este extravagante autor fue su gran afición por los viajes, que le sobrevino a la temprana edad de nueve años, debido a las visitas que sus progenitores (su padre era suizo y su madre escocesa) realizaron con él a Egipto e Italia. En la capital francesa, Cendrars se movió en los ambientes bohemios y vanguardistas de la época, trabando conocimiento con la mayor parte de sus protagonistas. Cendrars, Blaise 1887-1961. En 1944 vieron la luz sus Poésies complètes, a las que siguieron varias novelas de cariz autobiográfico: El hombre fulminado (L'Homme foudroyé, 1945), La mano cortada (La Main coupée, 1946), Bourlinguer (1948) y Le lotissement du ciel (1949), a la vez que descubrió al mundo al fotógrafo Robert Doisneau, quien ilustró con sus fotografías el libro de Cendrars La Banlieue de Paris (1949). De retour à Paris en 1950, il collabore fréquemment à la Radiodiffusion française. [17] He was with the British Expeditionary Force in northern France at the beginning of the German invasion in 1940, and his book that immediately followed, Chez l'armée anglaise (With the English Army), was seized before publication by the Gestapo, which sought him out and sacked his library in his country home, while he fled into hiding in Aix-en-Provence. Al inicio de la contienda, Blaise Cendrars se alistó en la Legión Extranjera y fue herido en Champagne el 28 de septiembre de 1915, siéndole amputado su antebrazo derecho. Aparecieron, entre otros, La Guerre au Luxembourg (1916), Profond aujourd'hui (1917), Dix-neuf poèmes élastiques (Diecinueve poemas elásticos, 1913-1919), J'ai tué (He matado, 1918), La fin du monde filmée par l'ange Notre-Dame, Au coeur du monde (1919-1922), Anthologie nègre (1921) y L'Eubage (1926, aunque escrita diez años antes). He was a writer of considerable influence in the European modernist movement. For instance, he described the Hungarian photographer Ervin Marton as an "ace of white and black photography" in a preface to his exhibition catalogue. Victime d'une congestion cérébrale le 21 juillet 1956, il meurt d… EL ORO de BLAISE CENDRARS y una gran selección de libros, arte y artículos de colección disponible en Iberlibro.com. Algunas de sus poesías, cuya estructura constituye un precedente de la de Apollinaire, se publicaron en Les Hommes Nouveaux, revista fundada por el propio Cendrars en París, donde se instaló definitivamente en junio de 1912. Aucune mention d'édition sur la page de titre. Steve Kogan, "The Pilgrimage of Blaise Cendrars", On Cendrars' immersion in the film world, see Garrett White's introduction to his translation of Cendrars' reports on Hollywood for, "Cendrars looks for Modigliani at Montparnase", TV Footage, 1953, La Prose du Transsibérien et la Petite Jehanne de France, "Blaise Cendrars: Jean Buhler remet les pendules à l'heure", "The Bloody Hand, by Blaise Cendrars and translated by Graham macLachlan, a masterpiece of French war literature, complete and unabridged for the first time in English. Name of the work, year of first edition, publisher (in Paris if not otherwise noted) / kind of work / Known translations (year of first edition in that language), Dany Savelli, « Examen du paratexte de la Légende de Novgorode découverte à Sofia et attribuée à Blaise Cendrars », in, Cendrars, "Modernities 3, in Chefdor, p. 96.
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